Virginia Miller Galleries
Virginia Miller Galleries Home at Virginia Miller Galleries Exhibitions at Virginia Miller Galleries Artists at Virginia Miller Galleries Art Gallery at Virginia Miller Galleries Contact us at Virginia Miller Galleries
Artists by Categories Master Artists Mid Career Artists A-H Mid Career Artists K-Z Emerging Artists Other Works

Article

Coral Gables News
August 19-25, 2003
by Gary Alan Ruse

Drivers and pedestrians passing the construction site on the corner of Ponce de Leon Boulevard and Andalusia in Coral Gables will be treated to an unexpected art experience. An eight-foot tall plywood barrier stretching along for a half block has been decorated with a painting of carousel horses by noted Venezuelan artist Arturo Correa. Click here to see the Mural.

"I believe this is the first mural to be created in downtown Coral Gables," said Virginia Miller, owner and director of ArtSpace/Virginia Miller Galleries.

Long a mainstay of the South Florida art community, Miller was asked by representatives of Hines, an international real estate firm, to find someone to add an artistic touch to a functional but otherwise bleak wall. Several artists were proposed and evaluated but Correa proved to be the favorite.

"I chose Arturo Correa for this important project because he excels at installations and large statements such as this one," Miller said. "He's highly enthusiastic, totally professional, and his work always has a solid philosophical basis."

Correa was born in Valencia, Venezuela, in 1967 and recently was chosen to represent Venezuelan visual arts in the Third Annual International Arts Festival of Valencia. He has held one-person exhibitions in the Museum of Fine Arts in Maracaibo, the Museum of Barquisimeto, the Salazar Museum of Art in Valencia, and several private galleries in Venezuela, as well as 80 Washington Square East Gallery, New York City; the University of Central Florida, Orlando, and numerous group exhibitions. None of his previous works were on quite the scale of this new project.

"Although I have done a number of installations, the 120-foot carousel mural is my largest project to date," Correa said. "I view carousels as a metaphor for life itself. You enter the carousel of life, and if you really want to badly enough, you will choose the horse you like the best or you can resign yourself to take whatever horse is available. When your carousel starts going around you get excited and emotions are high, but then it winds down and finally, it stops.

"Then another generation of boys and girls climb up onto the carousel of life, decide whether they want a particular horse badly enough to grab it and whether they dare to stretch out for the elusive brass ring of success or just ride around in circles with all the others." The mural is expected to be there for a year while construction is under way, then it may be taken to another location for exhibition. The artist used gallon-sized cans of exterior acrylic latex in roughly a dozen colors to create the expansive work.

Tom Roth, project director of the Mediterranean-inspired 12-story, 250,000­square-foot office building that also will house condominiums and retail stores, thinks the merger of art and business was a perfect partnership.

"As part of the development of 2525 Ponce de Leon, Hines wants to incorporate art and recognize the fine artistic talent that exists in Coral Gables, both among its citizens and in its galleries," Roth said..."We feel this is an appropriate location to enhance the pedestrian experience in Coral Gables and to allow an important internation­ al artist to leave at least a temporary impression on the streets of our city."

Virginia Miller agrees with Roth on the significance of the effort.

"It is important to note that this project reflects the vision and commitment to enhance the visual quality of a public space both by Hines, the developer, and by the City of Coral Gables," Miller said. "Clearly, they recognize that installations of art such as this one can transform public spaces into sites that lift our spirits, offer insights into the special world of our imaginations, and give us a sense of community."

The painting, which took roughly four days to complete, required the assistance of Correa's wife, Jennifer, and his mom, Magaly Vilar, who applied preliminary background paint.

"When people look at this carousel from the outside, they say that it looks like a real one," Correa said. "When you go inside and walk from one end to another, it takes you to a world of innocence and joy. When you walk through that peaceful loggia, you forget that you are on the street. It's like a retreat, an oasis away from the hustle and bustle of real life. People are amazed at how different they feel those 120 feet change their attitude from their daily routine."

Arturo Correa will have a major solo exhibition at ArtSpace/Virginia Miller Galleries, Coral Gables, in October and November, ...

top