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These “frozen moments of epiphany and the human drama of impending danger,” according to Kyle, constitute an autobiographical meta-narrative of metaphoric and symbolic mythology that create a commonality of collaboration, an ongoing self-defining introspection with universal implications.
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In this series of suggestive works, Kyle typically uses a collage of photography with drawings to depict the humorous side of sex. In ‘Headache,’ a young woman surrounded by hostile penile shapes clutches her head. In “Squeeze,” a voluptuous woman is surmounted by a wincing man clutching his heart, apparently feeling the squeezing sensation of high emotion. Between the two are examples of a fulcrum and nutcracker.
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Kyle uses houses as metaphors for the man-made environment as well as for their social and systemic associations. Nearly everyone relates to houses, a psychologically charged button leading to societal identity.
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These dream-like glimpses into those flashes of memory that Kyle has accrued from a lifetime of deliberate and subconscious observations offer a dramatic immediacy and poignancy that belies their size, like a small video screen depicting a widespread tragedy.
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Kyle’s deep concerns about the effects of urbanization and our disappearing wilderness can be felt in these works, which offer contrasts between the pristine woods and the aridity of the malls and housing developments encroaching upon them.
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